{"title":"Homepage New Releases Spotlight","description":null,"products":[{"product_id":"a-year-with-niccolo-machiavelli","title":"A Year with Niccolò Machiavelli","description":"\u003cp dir=\"auto\" data-start=\"0\" data-end=\"85\" class=\"PDq2pG_selectionAnchorContainer\"\u003e\u003cstrong data-start=\"0\" data-end=\"85\"\u003eA Year with Niccolò Machiavelli: Power, Republics, Conflict \u0026amp; Political Judgement\u003c\/strong\u003e\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\" data-start=\"87\" data-end=\"599\"\u003eSpend a year exploring Niccolò Machiavelli beyond \u003cem data-start=\"137\" data-end=\"149\"\u003eThe Prince\u003c\/em\u003e — through the offices, diplomatic missions, military experiments, political crises, books and arguments that shaped one of the most influential political thinkers in European history. This 52-week illustrated experience follows Machiavelli as secretary, diplomat, military organiser, historian, republican thinker and dramatist, placing his ideas back inside the institutions and dangers that gave them meaning. \u003cspan class=\"contents\" data-content-reference-start=\"562\" data-content-reference-end=\"591\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\" data-start=\"601\" data-end=\"682\"\u003eAcross 52 weekly experiences, the journey unfolds through four distinct sections:\u003c\/p\u003e\n\u003cp dir=\"auto\" data-start=\"684\" data-end=\"979\"\u003e\u003cstrong data-start=\"684\" data-end=\"724\"\u003eSection I — The Republic as a School\u003c\/strong\u003e\u003cbr data-start=\"724\" data-end=\"727\"\u003eEnter the Florentine Republic of Machiavelli’s early career, from the fall of Medici rule and Savonarola’s Florence to chancery work, diplomatic missions, Cesare Borgia and the political education of public office. \u003cspan class=\"contents\" data-content-reference-start=\"934\" data-content-reference-end=\"964\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\" data-start=\"981\" data-end=\"1273\"\u003e\u003cstrong data-start=\"981\" data-end=\"1021\"\u003eSection II — Arms and Fragile Orders\u003c\/strong\u003e\u003cbr data-start=\"1021\" data-end=\"1024\"\u003eExplore Machiavelli’s attempts to understand and build political capacity through militias, institutions, diplomacy and war — from France and the Empire to Pisa, Prato and the collapse of the republic he served. \u003cspan class=\"contents\" data-content-reference-start=\"1221\" data-content-reference-end=\"1251\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\" data-start=\"1275\" data-end=\"1582\"\u003e\u003cstrong data-start=\"1275\" data-end=\"1315\"\u003eSection III — Writing from Exclusion\u003c\/strong\u003e\u003cbr data-start=\"1315\" data-end=\"1318\"\u003eFollow Machiavelli from dismissal, imprisonment and rural exclusion into the composition of \u003cem data-start=\"1410\" data-end=\"1422\"\u003eThe Prince\u003c\/em\u003e, examining power, fortune, fear, reputation, military force and political necessity without reducing the text to slogans. \u003cspan class=\"contents\" data-content-reference-start=\"1523\" data-content-reference-end=\"1553\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\" data-start=\"1584\" data-end=\"1931\"\u003e\u003cstrong data-start=\"1584\" data-end=\"1633\"\u003eSection IV — Republics, Stages and Afterlives\u003c\/strong\u003e\u003cbr data-start=\"1633\" data-end=\"1636\"\u003eMove beyond princely rule into the \u003cem data-start=\"1671\" data-end=\"1683\"\u003eDiscourses\u003c\/em\u003e, \u003cem data-start=\"1685\" data-end=\"1701\"\u003eThe Art of War\u003c\/em\u003e, comedy, Florentine history and Machiavelli’s political afterlife, exploring liberty, conflict, corruption, religion, adaptation and the many ways later generations have interpreted his work. \u003cspan class=\"contents\" data-content-reference-start=\"1865\" data-content-reference-end=\"1896\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\" data-start=\"1933\" data-end=\"2319\"\u003eEach week combines a full-page illustrated opening, a substantial contextual and reflective essay, focused guidance for reading the evidence, three reflection prompts and a dedicated Journal Notes page. The experience is designed to encourage close attention and independent judgement rather than lead the reader towards a predetermined conclusion. \u003cspan class=\"contents\" data-content-reference-start=\"2247\" data-content-reference-end=\"2277\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\" data-start=\"2321\" data-end=\"2347\"\u003e\u003cstrong data-start=\"2321\" data-end=\"2347\"\u003eInside the experience:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul data-start=\"2348\" data-end=\"2694\"\u003e\n\u003cli data-section-id=\"5401ei\" data-start=\"2348\" data-end=\"2382\"\u003e52 structured weekly experiences\u003c\/li\u003e\n\u003cli data-section-id=\"467jbr\" data-start=\"2383\" data-end=\"2407\"\u003eFour thematic sections\u003c\/li\u003e\n\u003cli data-section-id=\"rqyq2e\" data-start=\"2408\" data-end=\"2447\"\u003eFull-page illustrated weekly openings\u003c\/li\u003e\n\u003cli data-section-id=\"gpnl2t\" data-start=\"2448\" data-end=\"2494\"\u003eSubstantial historical and political context\u003c\/li\u003e\n\u003cli data-section-id=\"1w6mbcq\" data-start=\"2495\" data-end=\"2535\"\u003eGuided reading and observation prompts\u003c\/li\u003e\n\u003cli data-section-id=\"1xattnp\" data-start=\"2536\" data-end=\"2572\"\u003eThree reflection prompts each week\u003c\/li\u003e\n\u003cli data-section-id=\"iarpg4\" data-start=\"2573\" data-end=\"2613\"\u003eDedicated fillable Journal Notes pages\u003c\/li\u003e\n\u003cli data-section-id=\"16b1jbt\" data-start=\"2614\" data-end=\"2665\"\u003eLinked Contents and Return to Contents navigation\u003c\/li\u003e\n\u003cli data-section-id=\"fqu0bc\" data-start=\"2666\" data-end=\"2694\"\u003eInstant digital PDF format\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp dir=\"auto\" data-start=\"2696\" data-end=\"2877\"\u003eA year-long journey into how Machiavelli learned to read power — not as an abstract theory, but through institutions, conflict, uncertainty and the consequences of political action.\u003c\/p\u003e","brand":"Conspire Creations® - Created to Conspire®","offers":[{"title":"Default Title","offer_id":55121074684241,"sku":"CCPC556-CAL-IPS-MACH-SPEC-2026-v1","price":29.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1026\/0201\/5057\/files\/frontcover.png?v=1790704631"},{"product_id":"a-year-with-chet-baker-a-52-week-guided-apprenticeship-in-listening","title":"A Year with Chet Baker: A 52-Week Guided Apprenticeship in Listening","description":"\u003cp dir=\"auto\" data-start=\"0\" data-end=\"72\" class=\"PDq2pG_selectionAnchorContainer\"\u003e\u003cstrong data-start=\"0\" data-end=\"72\"\u003eA Year with Chet Baker: A 52-Week Guided Apprenticeship in Listening\u003c\/strong\u003e\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\" data-start=\"74\" data-end=\"509\"\u003eSpend a year listening closely to Chet Baker — not simply through the familiar image or biography, but through breath, phrasing, ensemble space, recording conditions, collaboration and the changing physical demands of his sound. Across 52 weeks, the journal uses carefully chosen recordings to explore how Baker created intimacy under pressure while keeping music, evidence and biography distinct. \u003cspan class=\"contents\" data-content-reference-start=\"472\" data-content-reference-end=\"501\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\" data-start=\"511\" data-end=\"592\"\u003eAcross 52 weekly experiences, the journey unfolds through four distinct sections:\u003c\/p\u003e\n\u003cp dir=\"auto\" data-start=\"594\" data-end=\"945\"\u003e\u003cstrong data-start=\"594\" data-end=\"631\"\u003eSection I — Learning to Leave Air\u003c\/strong\u003e\u003cbr data-start=\"631\" data-end=\"634\"\u003eFollow Baker from his early formation through Los Angeles clubs, Charlie Parker, Gerry Mulligan, the pianoless quartet, the microphone and the emerging public image. The emphasis is on the musical work beneath apparent ease: timing, restraint, ensemble awareness and space. \u003cspan class=\"contents\" data-content-reference-start=\"900\" data-content-reference-end=\"932\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\" data-start=\"947\" data-end=\"1300\"\u003e\u003cstrong data-start=\"947\" data-end=\"996\"\u003eSection II — Rooms, Roads and Recorded Selves\u003c\/strong\u003e\u003cbr data-start=\"996\" data-end=\"999\"\u003eMove through touring, European studios, new collaborators, vocal recordings, show tunes and changing legal circumstances. The music is heard inside the practical realities of travel, recording, institutions and the musicians who made each temporary room function. \u003cspan class=\"contents\" data-content-reference-start=\"1250\" data-content-reference-end=\"1272\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\" data-start=\"1302\" data-end=\"1669\"\u003e\u003cstrong data-start=\"1302\" data-end=\"1337\"\u003eSection III — The Altered Mouth\u003c\/strong\u003e\u003cbr data-start=\"1337\" data-end=\"1340\"\u003eConfront the physical crisis that transformed Baker's playing and the long process of relearning that followed. Rather than turning injury into spectacle, this section listens to adaptation, altered technique, changing instruments, ensemble support and the collective work behind his return. \u003cspan class=\"contents\" data-content-reference-start=\"1604\" data-content-reference-end=\"1626\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\" data-start=\"1671\" data-end=\"2050\"\u003e\u003cstrong data-start=\"1671\" data-end=\"1713\"\u003eSection IV — Late Rooms and Afterlives\u003c\/strong\u003e\u003cbr data-start=\"1713\" data-end=\"1716\"\u003eGive Baker's later work its own weight through European sessions, intimate collaborations, \u003cem data-start=\"1807\" data-end=\"1821\"\u003eShipbuilding\u003c\/em\u003e, Tokyo, film, archives and institutional recognition. The final weeks consider how recordings continue to create a sense of nearness long after the original room and moment have disappeared. \u003cspan class=\"contents\" data-content-reference-start=\"1970\" data-content-reference-end=\"1992\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\" data-start=\"2052\" data-end=\"2484\"\u003eEach week combines a visual opening, a Weekly Anchor, Featured Focus, specific Recommended Listening, a Primary Encounter, substantial contextual and reflective writing, five focused Listen For observations and three Reflection Prompts. Dedicated Journal Notes pages provide space to record what you hear and how your understanding changes across the year. \u003cspan class=\"contents\" data-content-reference-start=\"2351\" data-content-reference-end=\"2381\"\u003e\u003c\/span\u003e \u003cspan class=\"contents\" data-content-reference-start=\"2382\" data-content-reference-end=\"2412\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\" data-start=\"2486\" data-end=\"2512\"\u003e\u003cstrong data-start=\"2486\" data-end=\"2512\"\u003eInside the experience:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul data-start=\"2513\" data-end=\"2962\"\u003e\n\u003cli data-start=\"2513\" data-end=\"2557\" data-section-id=\"lgp6lv\"\u003e52 structured weekly listening experiences\u003c\/li\u003e\n\u003cli data-start=\"2558\" data-end=\"2582\" data-section-id=\"467jbr\"\u003eFour thematic sections\u003c\/li\u003e\n\u003cli data-start=\"2583\" data-end=\"2627\" data-section-id=\"1j7q84i\"\u003eRecommended Chet Baker listening each week\u003c\/li\u003e\n\u003cli data-start=\"2628\" data-end=\"2674\" data-section-id=\"gwd42t\"\u003eYouTube search links for featured recordings\u003c\/li\u003e\n\u003cli data-start=\"2675\" data-end=\"2721\" data-section-id=\"q1029v\"\u003eSubstantial contextual and reflective essays\u003c\/li\u003e\n\u003cli data-start=\"2722\" data-end=\"2770\" data-section-id=\"15umyax\"\u003eFive focused Listen For observations each week\u003c\/li\u003e\n\u003cli data-start=\"2771\" data-end=\"2807\" data-section-id=\"cdvbvp\"\u003eThree Reflection Prompts each week\u003c\/li\u003e\n\u003cli data-start=\"2808\" data-end=\"2848\" data-section-id=\"iarpg4\"\u003eDedicated fillable Journal Notes pages\u003c\/li\u003e\n\u003cli data-start=\"2849\" data-end=\"2901\" data-section-id=\"uvzpj0\"\u003eFour section paintings and 52 weekly illustrations\u003c\/li\u003e\n\u003cli data-start=\"2902\" data-end=\"2933\" data-section-id=\"gw2ceh\"\u003eReturn to Contents navigation\u003c\/li\u003e\n\u003cli data-start=\"2934\" data-end=\"2962\" data-section-id=\"fqu0bc\"\u003eInstant digital PDF format\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp dir=\"auto\" data-start=\"2964\" data-end=\"3197\"\u003eA year-long invitation to move beyond the mythology and hear how Chet Baker's distinctive sense of intimacy was actually made — through breath, restraint, collaboration, adaptation and attention.\u003c\/p\u003e","brand":"Conspire Creations® - Created to Conspire®","offers":[{"title":"Default Title","offer_id":55131384480081,"sku":"CCPC618-CAL-MUS-CHT-BAKE-SPEC-2026-v1","price":29.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1026\/0201\/5057\/files\/FrontCover_9cefc4a4-5aca-44bd-a19b-f56db21c8237.png?v=1790791365"},{"product_id":"a-year-with-charlotte-bronte-a-52-week-apprenticeship-in-narrative-authority","title":"A Year with Charlotte Brontë: A 52-Week Apprenticeship in Narrative Authority","description":"\u003ch3 dir=\"auto\" data-start=\"212\" data-end=\"297\" data-section-id=\"1nmnkm8\" class=\"PDq2pG_selectionAnchorContainer\"\u003e\n\u003cspan role=\"text\"\u003e\u003cstrong data-start=\"216\" data-end=\"297\"\u003eA Year with Charlotte Brontë: A 52-Week Apprenticeship in Narrative Authority\u003c\/strong\u003e\u003c\/span\u003e\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cp dir=\"auto\" data-start=\"299\" data-end=\"825\"\u003eSpend a year with Charlotte Brontë through 52 carefully structured encounters with manuscripts, novels, letters, places, institutions and surviving objects. From the miniature books and imagined worlds of Haworth to \u003cem data-start=\"515\" data-end=\"526\"\u003eJane Eyre\u003c\/em\u003e, \u003cem data-start=\"528\" data-end=\"537\"\u003eShirley\u003c\/em\u003e, \u003cem data-start=\"539\" data-end=\"549\"\u003eVillette\u003c\/em\u003e and the unfinished \u003cem data-start=\"569\" data-end=\"575\"\u003eEmma\u003c\/em\u003e, this experience explores not simply what happened in Brontë’s life, but how she learned to make a narrator speak with authority — and how readers can distinguish evidence, interpretation and literary invention. \u003cspan class=\"contents\" data-content-reference-start=\"788\" data-content-reference-end=\"818\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\" data-start=\"827\" data-end=\"905\"\u003eAcross 52 weekly experiences, the year unfolds through four distinct sections:\u003c\/p\u003e\n\u003cp dir=\"auto\" data-start=\"907\" data-end=\"1322\"\u003e\u003cstrong data-start=\"907\" data-end=\"949\"\u003eSection I — Worlds Made in Small Rooms\u003c\/strong\u003e\u003cbr data-start=\"949\" data-end=\"952\"\u003eExplore Thornton, Haworth, family loss, Cowan Bridge, the toy soldiers, miniature manuscripts, Glass Town, Angria, Roe Head and governess work. These early encounters reveal how reading, material play, friendship, schooling and paid employment trained Brontë to construct voices, characters and increasingly complex imagined worlds. \u003cspan class=\"contents\" data-content-reference-start=\"1278\" data-content-reference-end=\"1308\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\" data-start=\"1324\" data-end=\"1814\"\u003e\u003cstrong data-start=\"1324\" data-end=\"1360\"\u003eSection II — Crossing into Print\u003c\/strong\u003e\u003cbr data-start=\"1360\" data-end=\"1363\"\u003eFollow Brontë through Southey’s discouraging advice, her attempt to leave Angria behind, the planned Haworth school, Brussels, the Pensionnat Heger, corrected French devoirs, the surviving Heger letters and the creation of Currer, Ellis and Acton Bell. The section ends with the almost-unsold poetry volume and the rejection of \u003cem data-start=\"1691\" data-end=\"1706\"\u003eThe Professor\u003c\/em\u003e as private writing begins negotiating with the public world of print. \u003cspan class=\"contents\" data-content-reference-start=\"1763\" data-content-reference-end=\"1795\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\" data-start=\"1816\" data-end=\"2296\"\u003e\u003cstrong data-start=\"1816\" data-end=\"1860\"\u003eSection III — The Novel Claims Authority\u003c\/strong\u003e\u003cbr data-start=\"1860\" data-end=\"1863\"\u003eEnter the manuscript and narrative worlds of \u003cem data-start=\"1908\" data-end=\"1919\"\u003eJane Eyre\u003c\/em\u003e and \u003cem data-start=\"1924\" data-end=\"1933\"\u003eShirley\u003c\/em\u003e. Examine the fair copy of \u003cem data-start=\"1960\" data-end=\"1971\"\u003eJane Eyre\u003c\/em\u003e, the layered identity of Currer Bell, the Red Room, Lowood, Thornfield, Bertha Mason, questions of equality and the movement from private manuscript to published authority before \u003cem data-start=\"2151\" data-end=\"2160\"\u003eShirley\u003c\/em\u003e widens the argument towards industrial conflict, bereavement and women’s restricted public lives. \u003cspan class=\"contents\" data-content-reference-start=\"2240\" data-content-reference-end=\"2262\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\" data-start=\"2298\" data-end=\"2792\"\u003e\u003cstrong data-start=\"2298\" data-end=\"2342\"\u003eSection IV — What the Narrator Withholds\u003c\/strong\u003e\u003cbr data-start=\"2342\" data-end=\"2345\"\u003eRead \u003cem data-start=\"2350\" data-end=\"2360\"\u003eVillette\u003c\/em\u003e through Lucy Snowe’s extraordinary control of information: surveillance, confession, performance, delayed recognition, buried letters, Monsieur Paul and the famously unresolved final storm. The final weeks turn to the unfinished \u003cem data-start=\"2590\" data-end=\"2596\"\u003eEmma\u003c\/em\u003e and then to letters, biography, portraiture and the Brontë archive itself, asking what can genuinely be known when the surviving evidence remains incomplete. \u003cspan class=\"contents\" data-content-reference-start=\"2721\" data-content-reference-end=\"2743\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\" data-start=\"2794\" data-end=\"3324\"\u003eEach week begins with a defined \u003cstrong data-start=\"2826\" data-end=\"2843\"\u003eWeekly Anchor\u003c\/strong\u003e, \u003cstrong data-start=\"2845\" data-end=\"2863\"\u003eFeatured Focus\u003c\/strong\u003e and \u003cstrong data-start=\"2868\" data-end=\"2889\"\u003ePrimary Encounter\u003c\/strong\u003e, followed by a substantial contextual and reflective essay, guided close-reading observations, three reflection questions and a dedicated Journal Notes page. The method changes with the evidence: manuscripts are treated as material objects, buildings as historical spaces, fiction as crafted narrative rather than biography, and uncertainty is retained where the archive cannot provide an answer. \u003cspan class=\"contents\" data-content-reference-start=\"3238\" data-content-reference-end=\"3268\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\" data-start=\"3326\" data-end=\"3352\"\u003e\u003cstrong data-start=\"3326\" data-end=\"3352\"\u003eInside the experience:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul data-start=\"3354\" data-end=\"3869\"\u003e\n\u003cli data-start=\"3354\" data-end=\"3387\" data-section-id=\"eg2gbf\"\u003e52 structured weekly encounters\u003c\/li\u003e\n\u003cli data-start=\"3388\" data-end=\"3412\" data-section-id=\"467jbr\"\u003eFour thematic sections\u003c\/li\u003e\n\u003cli data-start=\"3413\" data-end=\"3465\" data-section-id=\"11gwdb5\"\u003eFull-page period-inspired illustrations throughout\u003c\/li\u003e\n\u003cli data-start=\"3466\" data-end=\"3503\" data-section-id=\"10sqvm2\"\u003eWeekly Anchors and Featured Focuses\u003c\/li\u003e\n\u003cli data-start=\"3504\" data-end=\"3546\" data-section-id=\"1r2xr6u\"\u003ePrimary source and manuscript encounters\u003c\/li\u003e\n\u003cli data-start=\"3547\" data-end=\"3593\" data-section-id=\"q1029v\"\u003eSubstantial contextual and reflective essays\u003c\/li\u003e\n\u003cli data-start=\"3594\" data-end=\"3639\" data-section-id=\"16vzmvd\"\u003eGuided close-reading and observation points\u003c\/li\u003e\n\u003cli data-start=\"3640\" data-end=\"3678\" data-section-id=\"1k952y7\"\u003eThree reflection questions each week\u003c\/li\u003e\n\u003cli data-start=\"3679\" data-end=\"3719\" data-section-id=\"iarpg4\"\u003eDedicated fillable Journal Notes pages\u003c\/li\u003e\n\u003cli data-start=\"3720\" data-end=\"3771\" data-section-id=\"16b1jbt\"\u003eLinked Contents and Return to Contents navigation\u003c\/li\u003e\n\u003cli data-start=\"3772\" data-end=\"3808\" data-section-id=\"ddc5a1\"\u003eDetailed Notes and Sources by week\u003c\/li\u003e\n\u003cli data-start=\"3809\" data-end=\"3840\" data-section-id=\"140kamz\"\u003eBibliography and source links\u003c\/li\u003e\n\u003cli data-start=\"3841\" data-end=\"3869\" data-section-id=\"fqu0bc\"\u003eInstant digital PDF format\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp dir=\"auto\" data-start=\"3871\" data-end=\"4135\"\u003eThe final week brings the entire apprenticeship together by comparing letters, Gaskell’s biography, portraits, manuscripts and museum records, asking the reader to distinguish what is verified, inferred, contested and unknown. \u003cspan class=\"contents\" data-content-reference-start=\"4042\" data-content-reference-end=\"4064\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\" data-start=\"4137\" data-end=\"4353\"\u003eA year-long apprenticeship in reading Charlotte Brontë with greater precision — not simply discovering the woman behind the novels, but learning how voice, evidence, power and narrative shape what we believe we know.\u003c\/p\u003e","brand":"Conspire Creations® - Created to Conspire®","offers":[{"title":"Default Title","offer_id":55181450543441,"sku":"CCPC619-CAL-MUS-CHR-BRON-SPEC-2026-v1","price":29.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1026\/0201\/5057\/files\/A-Year-with-Charlotte-Brontefrontcover.png?v=1791199418"},{"product_id":"a-year-with-anne-bronte-a-52-week-cultural-learning-journey-through-literature-truth-independence","title":"A Year with Anne Brontë: A 52-Week Cultural Learning Journey Through Literature, Truth \u0026 Independence","description":"\u003ch2 dir=\"auto\" data-start=\"239\" data-end=\"347\" data-section-id=\"1rw4991\" class=\"PDq2pG_selectionAnchorContainer\"\u003e\n\u003cspan role=\"text\"\u003e\u003cstrong data-start=\"242\" data-end=\"347\"\u003eA Year with Anne Brontë: A 52-Week Cultural Learning Journey Through Literature, Truth \u0026amp; Independence\u003c\/strong\u003e\u003c\/span\u003e\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\n\u003c\/h2\u003e\n\u003cp dir=\"auto\" data-start=\"349\" data-end=\"848\"\u003eSpend a year exploring Anne Brontë through 52 encounters with literature, cultural history, manuscripts, art, work, faith and the social realities of nineteenth-century life. From Haworth, Gondal and her years as a governess to \u003cem data-start=\"577\" data-end=\"589\"\u003eAgnes Grey\u003c\/em\u003e, \u003cem data-start=\"591\" data-end=\"620\"\u003eThe Tenant of Wildfell Hall\u003c\/em\u003e and her work as Acton Bell, the journey reveals a writer whose quiet reputation often obscures an unusually direct interest in power, responsibility and the practical conditions of freedom. \u003cspan class=\"contents\" data-content-reference-start=\"811\" data-content-reference-end=\"841\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\" data-start=\"850\" data-end=\"931\"\u003eAcross 52 weekly experiences, the journey unfolds through four distinct sections:\u003c\/p\u003e\n\u003cp dir=\"auto\" data-start=\"933\" data-end=\"1377\"\u003e\u003cstrong data-start=\"933\" data-end=\"974\"\u003eSection I — Conscience Learns to Look\u003c\/strong\u003e\u003cbr data-start=\"974\" data-end=\"977\"\u003eExplore Anne’s childhood at Haworth, the Brontë household, Gondal, Roe Head, poetry, drawing and her first governess position. Early manuscripts, diary papers and everyday objects reveal how education, family life, creative collaboration and paid work developed an increasingly exact way of observing the distance between what people profess and how they behave. \u003cspan class=\"contents\" data-content-reference-start=\"1333\" data-content-reference-end=\"1363\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\" data-start=\"1379\" data-end=\"1852\"\u003e\u003cstrong data-start=\"1379\" data-end=\"1424\"\u003eSection II — Inside Other People’s Houses\u003c\/strong\u003e\u003cbr data-start=\"1424\" data-end=\"1427\"\u003eFollow Anne into sustained employment at Thorp Green, Scarborough and York as the experience of being an educated but dependent governess opens a distinctive perspective on class, work, family, authority and social belonging. The section also follows the Brontë sisters’ plans for a school, Anne’s poetry and the emergence of Acton Bell as private writing begins its movement into print. \u003cspan class=\"contents\" data-content-reference-start=\"1801\" data-content-reference-end=\"1833\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\" data-start=\"1854\" data-end=\"2366\"\u003e\u003cstrong data-start=\"1854\" data-end=\"1898\"\u003eSection III — Acton Bell Tells the Truth\u003c\/strong\u003e\u003cbr data-start=\"1898\" data-end=\"1901\"\u003eEnter the world of \u003cem data-start=\"1920\" data-end=\"1932\"\u003eAgnes Grey\u003c\/em\u003e, where apparently small incidents expose much larger structures of power. Education, cruelty, marriage, class visibility, religion and women’s employment are examined through a narrator whose authority comes from sustained observation rather than dramatic spectacle. The section culminates in Anne publicly defending her right to represent difficult truths without disguising their consequences. \u003cspan class=\"contents\" data-content-reference-start=\"2310\" data-content-reference-end=\"2342\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\" data-start=\"2368\" data-end=\"2921\"\u003e\u003cstrong data-start=\"2368\" data-end=\"2416\"\u003eSection IV — Freedom Has Material Conditions\u003c\/strong\u003e\u003cbr data-start=\"2416\" data-end=\"2419\"\u003eExplore \u003cem data-start=\"2427\" data-end=\"2456\"\u003eThe Tenant of Wildfell Hall\u003c\/em\u003e through money, property, marriage, alcohol, motherhood, art, custody, religion and the practical realities of leaving an abusive household. Helen Graham’s independence is not treated as an abstract ideal: it requires income, tools, planning, physical movement and the ability to protect her child. The final weeks consider Anne’s theology, death, editorial history and the ways later hands both preserved and altered her work. \u003cspan class=\"contents\" data-content-reference-start=\"2860\" data-content-reference-end=\"2892\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\" data-start=\"2923\" data-end=\"3318\"\u003eEach week begins with a defined \u003cstrong data-start=\"2955\" data-end=\"2972\"\u003eWeekly Anchor\u003c\/strong\u003e, \u003cstrong data-start=\"2974\" data-end=\"2992\"\u003eFeatured Focus\u003c\/strong\u003e and \u003cstrong data-start=\"2997\" data-end=\"3018\"\u003ePrimary Encounter\u003c\/strong\u003e, followed by a substantial contextual and reflective essay, guided attention prompts, reflection questions and a dedicated Journal Notes page. Biography, fiction, archival evidence and later interpretation remain deliberately distinct throughout the experience. \u003cspan class=\"contents\" data-content-reference-start=\"3252\" data-content-reference-end=\"3282\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3 dir=\"auto\" data-start=\"3320\" data-end=\"3350\" data-section-id=\"133bpfr\"\u003e\u003cspan role=\"text\"\u003e\u003cstrong data-start=\"3324\" data-end=\"3350\"\u003eInside the experience:\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul data-start=\"3352\" data-end=\"3981\"\u003e\n\u003cli data-start=\"3352\" data-end=\"3404\" data-section-id=\"1isyl8q\"\u003e52 structured weekly cultural learning experiences\u003c\/li\u003e\n\u003cli data-start=\"3405\" data-end=\"3429\" data-section-id=\"467jbr\"\u003eFour thematic sections\u003c\/li\u003e\n\u003cli data-start=\"3430\" data-end=\"3471\" data-section-id=\"1glonf8\"\u003eFull-page period-inspired illustrations\u003c\/li\u003e\n\u003cli data-start=\"3472\" data-end=\"3509\" data-section-id=\"10sqvm2\"\u003eWeekly Anchors and Featured Focuses\u003c\/li\u003e\n\u003cli data-start=\"3510\" data-end=\"3564\" data-section-id=\"1a92ye1\"\u003ePrimary encounters with texts, objects and documents\u003c\/li\u003e\n\u003cli data-start=\"3565\" data-end=\"3613\" data-section-id=\"1tchgos\"\u003e\n\u003cem data-start=\"3567\" data-end=\"3579\"\u003eAgnes Grey\u003c\/em\u003e and \u003cem data-start=\"3584\" data-end=\"3613\"\u003eThe Tenant of Wildfell Hall\u003c\/em\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"3614\" data-end=\"3662\" data-section-id=\"1hova8s\"\u003ePoetry, manuscripts, diary papers and drawings\u003c\/li\u003e\n\u003cli data-start=\"3663\" data-end=\"3702\" data-section-id=\"8k4559\"\u003eVictorian social and cultural history\u003c\/li\u003e\n\u003cli data-start=\"3703\" data-end=\"3749\" data-section-id=\"q1029v\"\u003eSubstantial contextual and reflective essays\u003c\/li\u003e\n\u003cli data-start=\"3750\" data-end=\"3796\" data-section-id=\"uklwwx\"\u003eGuided observation and close-reading prompts\u003c\/li\u003e\n\u003cli data-start=\"3797\" data-end=\"3819\" data-section-id=\"13qkfhu\"\u003eReflection questions\u003c\/li\u003e\n\u003cli data-start=\"3820\" data-end=\"3860\" data-section-id=\"iarpg4\"\u003eDedicated fillable Journal Notes pages\u003c\/li\u003e\n\u003cli data-start=\"3861\" data-end=\"3912\" data-section-id=\"16b1jbt\"\u003eLinked Contents and Return to Contents navigation\u003c\/li\u003e\n\u003cli data-start=\"3913\" data-end=\"3952\" data-section-id=\"1agsj04\"\u003eWeek-grouped sources and bibliography\u003c\/li\u003e\n\u003cli data-start=\"3953\" data-end=\"3981\" data-section-id=\"fqu0bc\"\u003eInstant digital PDF format\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp dir=\"auto\" data-start=\"3983\" data-end=\"4191\"\u003eA year-long invitation to discover Anne Brontë not simply as the youngest Brontë sister, but as a writer who examined how truth, work, money, belief and social power shape the freedom people actually possess.\u003c\/p\u003e","brand":"Conspire Creations LTD","offers":[{"title":"Default Title","offer_id":55185919836497,"sku":"CCPC620-CAL-MUS-ANN-BRON-SPEC-2026-v1","price":29.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1026\/0201\/5057\/files\/frontcoverv3.png?v=1791229579"},{"product_id":"a-year-with-emily-bronte-a-52-week-cultural-learning-journey-through-literature-landscape-the-power-of-voice","title":"A Year with Emily Brontë: A 52-Week Cultural Learning Journey Through Literature, Landscape \u0026 the Power of Voice","description":"\u003ch2 dir=\"auto\" data-start=\"0\" data-end=\"119\" data-section-id=\"ca2dpg\" class=\"PDq2pG_selectionAnchorContainer\"\u003e\n\u003cspan role=\"text\"\u003e\u003cstrong data-start=\"3\" data-end=\"119\"\u003eA Year with Emily Brontë: A 52-Week Cultural Learning Journey Through Literature, Landscape \u0026amp; the Power of Voice\u003c\/strong\u003e\u003c\/span\u003e\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\n\u003c\/h2\u003e\n\u003cp dir=\"auto\" data-start=\"121\" data-end=\"619\"\u003eSpend a year exploring Emily Brontë through 52 encounters with literature, cultural history, manuscripts, landscape, family life, work, imagination and the making of \u003cem data-start=\"287\" data-end=\"306\"\u003eWuthering Heights\u003c\/em\u003e. From Haworth, Gondal and Brussels to her poetry notebooks, Ellis Bell and the extraordinary afterlife of her only novel, the journey moves beyond the familiar image of the solitary genius to examine how Emily’s work was shaped, preserved, interpreted and repeatedly remade. \u003cspan class=\"contents\" data-content-reference-start=\"582\" data-content-reference-end=\"612\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\" data-start=\"621\" data-end=\"702\"\u003eAcross 52 weekly experiences, the journey unfolds through four distinct sections:\u003c\/p\u003e\n\u003cp dir=\"auto\" data-start=\"704\" data-end=\"1171\"\u003e\u003cstrong data-start=\"704\" data-end=\"755\"\u003eSection I — A Household Opens into Other Worlds\u003c\/strong\u003e\u003cbr data-start=\"755\" data-end=\"758\"\u003eExplore Thornton, Haworth, the parsonage, reading culture, drawing, animals, Gondal, Roe Head, domestic work and Emily’s period of teaching at Law Hill. These early encounters place imagination inside a working household and a changing Yorkshire landscape, showing how books, shared invention, practical labour and the natural world all contributed to her creative formation. \u003cspan class=\"contents\" data-content-reference-start=\"1127\" data-content-reference-end=\"1158\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\" data-start=\"1173\" data-end=\"1608\"\u003e\u003cstrong data-start=\"1173\" data-end=\"1223\"\u003eSection II — The Speaker Refuses a Single Name\u003c\/strong\u003e\u003cbr data-start=\"1223\" data-end=\"1226\"\u003eFollow Emily through Brussels, her French essays, poetry notebooks and some of her most powerful surviving poems. Satire, captivity, landscape, death, memory, religion and identity are explored while keeping poet and speaker distinct, revealing a writer whose voices resist being reduced to autobiography, legend or a single settled philosophy. \u003cspan class=\"contents\" data-content-reference-start=\"1558\" data-content-reference-end=\"1590\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\" data-start=\"1610\" data-end=\"2028\"\u003e\u003cstrong data-start=\"1610\" data-end=\"1653\"\u003eSection III — A House Told by Strangers\u003c\/strong\u003e\u003cbr data-start=\"1653\" data-end=\"1656\"\u003eEnter \u003cem data-start=\"1662\" data-end=\"1681\"\u003eWuthering Heights\u003c\/em\u003e through its unusual structure of partial witnesses, repeated stories and contested evidence. Follow Lockwood, Nelly Dean, Heathcliff, Catherine, servants, animals, property, illness and the two houses themselves as the novel explores how power, inheritance, care, violence and memory move across generations. \u003cspan class=\"contents\" data-content-reference-start=\"1973\" data-content-reference-end=\"1995\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\" data-start=\"2030\" data-end=\"2535\"\u003e\u003cstrong data-start=\"2030\" data-end=\"2071\"\u003eSection IV — What Survives the Legend\u003c\/strong\u003e\u003cbr data-start=\"2071\" data-end=\"2074\"\u003eExplore the novel’s second generation before turning to Emily’s cultural afterlife. Follow the ways Charlotte Brontë, early reviewers, biographers, editors, collectors, filmmakers and heritage culture helped shape the Emily Brontë later generations came to know. The final weeks return to manuscripts and surviving words, asking what responsible reading can genuinely establish when the life behind them remains incomplete. \u003cspan class=\"contents\" data-content-reference-start=\"2465\" data-content-reference-end=\"2487\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\" data-start=\"2537\" data-end=\"2945\"\u003eEach week begins with a defined \u003cstrong data-start=\"2569\" data-end=\"2586\"\u003eWeekly Anchor\u003c\/strong\u003e, \u003cstrong data-start=\"2588\" data-end=\"2606\"\u003eFeatured Focus\u003c\/strong\u003e and \u003cstrong data-start=\"2611\" data-end=\"2632\"\u003ePrimary Encounter\u003c\/strong\u003e, followed by a substantial contextual and reflective essay, guided attention prompts, reflection questions and a dedicated Journal Notes page. The experience consistently distinguishes the author from speakers and narrators, and surviving evidence from later interpretation. \u003cspan class=\"contents\" data-content-reference-start=\"2860\" data-content-reference-end=\"2890\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3 dir=\"auto\" data-start=\"2947\" data-end=\"2977\" data-section-id=\"133bpfr\"\u003e\u003cspan role=\"text\"\u003e\u003cstrong data-start=\"2951\" data-end=\"2977\"\u003eInside the experience:\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul data-start=\"2979\" data-end=\"3644\"\u003e\n\u003cli data-start=\"2979\" data-end=\"3031\" data-section-id=\"1isyl8q\"\u003e52 structured weekly cultural learning experiences\u003c\/li\u003e\n\u003cli data-start=\"3032\" data-end=\"3056\" data-section-id=\"467jbr\"\u003eFour thematic sections\u003c\/li\u003e\n\u003cli data-start=\"3057\" data-end=\"3098\" data-section-id=\"1glonf8\"\u003eFull-page period-inspired illustrations\u003c\/li\u003e\n\u003cli data-start=\"3099\" data-end=\"3136\" data-section-id=\"10sqvm2\"\u003eWeekly Anchors and Featured Focuses\u003c\/li\u003e\n\u003cli data-start=\"3137\" data-end=\"3203\" data-section-id=\"1821s1m\"\u003ePrimary encounters with manuscripts, poems, places and documents\u003c\/li\u003e\n\u003cli data-start=\"3204\" data-end=\"3247\" data-section-id=\"1qmltms\"\u003eClose engagement with \u003cem data-start=\"3228\" data-end=\"3247\"\u003eWuthering Heights\u003c\/em\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"3248\" data-end=\"3288\" data-section-id=\"h2t0du\"\u003ePoetry, diary papers and French essays\u003c\/li\u003e\n\u003cli data-start=\"3289\" data-end=\"3331\" data-section-id=\"1139udo\"\u003eYorkshire landscape and cultural history\u003c\/li\u003e\n\u003cli data-start=\"3332\" data-end=\"3365\" data-section-id=\"1cp03p0\"\u003ePublishing and literary history\u003c\/li\u003e\n\u003cli data-start=\"3366\" data-end=\"3412\" data-section-id=\"q1029v\"\u003eSubstantial contextual and reflective essays\u003c\/li\u003e\n\u003cli data-start=\"3413\" data-end=\"3459\" data-section-id=\"uklwwx\"\u003eGuided observation and close-reading prompts\u003c\/li\u003e\n\u003cli data-start=\"3460\" data-end=\"3482\" data-section-id=\"13qkfhu\"\u003eReflection questions\u003c\/li\u003e\n\u003cli data-start=\"3483\" data-end=\"3523\" data-section-id=\"iarpg4\"\u003eDedicated fillable Journal Notes pages\u003c\/li\u003e\n\u003cli data-start=\"3524\" data-end=\"3575\" data-section-id=\"16b1jbt\"\u003eLinked Contents and Return to Contents navigation\u003c\/li\u003e\n\u003cli data-start=\"3576\" data-end=\"3615\" data-section-id=\"1agsj04\"\u003eWeek-grouped sources and bibliography\u003c\/li\u003e\n\u003cli data-start=\"3616\" data-end=\"3644\" data-section-id=\"fqu0bc\"\u003eInstant digital PDF format\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp dir=\"auto\" data-start=\"3646\" data-end=\"4005\"\u003eThe final week deliberately refuses to present a completely solved Emily Brontë. Instead, it returns the reader to manuscripts, editions and the closing pages of \u003cem data-start=\"3808\" data-end=\"3827\"\u003eWuthering Heights\u003c\/em\u003e, encouraging a more disciplined way of distinguishing surviving evidence from the powerful stories later generations have built around her. \u003cspan class=\"contents\" data-content-reference-start=\"3913\" data-content-reference-end=\"3935\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\" data-start=\"4007\" data-end=\"4210\"\u003eA year-long invitation to encounter Emily Brontë beyond the mythology — through her writing, working world, landscapes, surviving manuscripts and the remarkable cultural afterlife of \u003cem data-start=\"4190\" data-end=\"4209\"\u003eWuthering Heights\u003c\/em\u003e.\u003c\/p\u003e","brand":"Conspire Creations LTD","offers":[{"title":"Default Title","offer_id":55195128955217,"sku":"CCPC621-CAL-MUS-EMI-BRON-SPEC-2026-v1","price":29.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1026\/0201\/5057\/files\/FrontCover_8df0f6b8-a7ed-4312-b1de-bda6325adc31.png?v=1791291284"},{"product_id":"the-bronte-sisters-journal-bundle","title":"The Brontë Sisters Trilogy: 156 Weeks of Cultural Learning Through Literature, Life \u0026 Imagination","description":"\u003ch1 data-section-id=\"1u9gv16\" dir=\"auto\" data-start=\"0\" data-end=\"103\" class=\"PDq2pG_selectionAnchorContainer\"\u003e\n\u003cspan role=\"text\"\u003e\u003cstrong data-start=\"2\" data-end=\"103\"\u003eThe Brontë Sisters Trilogy: 156 Weeks of Cultural Learning Through Literature, Life \u0026amp; Imagination\u003c\/strong\u003e\u003c\/span\u003e\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\n\u003c\/h1\u003e\n\u003cp dir=\"auto\" data-start=\"105\" data-end=\"316\"\u003eEnter the world of Charlotte, Emily and Anne Brontë through three complete 52-week cultural learning experiences — \u003cstrong data-start=\"220\" data-end=\"315\"\u003e156 weeks of literature, cultural history, manuscripts, places, ideas and close observation\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp dir=\"auto\" data-start=\"318\" data-end=\"685\"\u003eRather than treating the sisters as a single literary legend, this trilogy allows each writer to emerge on her own terms. Across surviving manuscripts, novels, poetry, letters, diary papers, publishing history, social institutions and the landscapes that surrounded them, the collection explores three remarkably different ways of seeing the nineteenth-century world.\u003c\/p\u003e\n\u003cp dir=\"auto\" data-start=\"687\" data-end=\"960\"\u003eEach journal begins with evidence rather than mythology, distinguishing documentary fact, literary interpretation and later reconstruction while inviting the reader to form judgements of their own. \u003cspan class=\"contents\" data-content-reference-start=\"885\" data-content-reference-end=\"914\"\u003e\u003c\/span\u003e \u003cspan class=\"contents\" data-content-reference-start=\"915\" data-content-reference-end=\"944\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2 data-section-id=\"1jfkiip\" dir=\"auto\" data-start=\"962\" data-end=\"989\"\u003e\u003cspan role=\"text\"\u003e\u003cstrong data-start=\"965\" data-end=\"989\"\u003eThe Trilogy Includes\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\n\u003ch3 data-section-id=\"b7293u\" dir=\"auto\" data-start=\"991\" data-end=\"1027\"\u003e\u003cspan role=\"text\"\u003e\u003cstrong data-start=\"995\" data-end=\"1027\"\u003eA Year with Charlotte Brontë\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp dir=\"auto\" data-start=\"1028\" data-end=\"1391\"\u003eFollow Charlotte from the handmade worlds of childhood and the experience of teaching and governess work to Brussels, Currer Bell, \u003cem data-start=\"1159\" data-end=\"1170\"\u003eJane Eyre\u003c\/em\u003e, \u003cem data-start=\"1172\" data-end=\"1181\"\u003eShirley\u003c\/em\u003e and \u003cem data-start=\"1186\" data-end=\"1196\"\u003eVillette\u003c\/em\u003e. Her year becomes an exploration of \u003cstrong data-start=\"1233\" data-end=\"1288\"\u003evoice, authorship, evidence and narrative authority\u003c\/strong\u003e — asking who is permitted to speak, interpret, desire and judge. \u003cspan class=\"contents\" data-content-reference-start=\"1338\" data-content-reference-end=\"1368\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3 data-section-id=\"1mhjw9c\" dir=\"auto\" data-start=\"1393\" data-end=\"1425\"\u003e\u003cspan role=\"text\"\u003e\u003cstrong data-start=\"1397\" data-end=\"1425\"\u003eA Year with Emily Brontë\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp dir=\"auto\" data-start=\"1426\" data-end=\"1793\"\u003eMove beyond the familiar mythology of the solitary figure on the moors and encounter Emily through household life, Gondal, drawing, teaching, Brussels, poetry and \u003cem data-start=\"1589\" data-end=\"1608\"\u003eWuthering Heights\u003c\/em\u003e. The year explores \u003cstrong data-start=\"1628\" data-end=\"1754\"\u003elandscape, identity, confinement, imagination, inheritance and the unstable boundary between surviving evidence and legend\u003c\/strong\u003e. \u003cspan class=\"contents\" data-content-reference-start=\"1733\" data-content-reference-end=\"1763\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3 data-section-id=\"j5kw80\" dir=\"auto\" data-start=\"1795\" data-end=\"1826\"\u003e\u003cspan role=\"text\"\u003e\u003cstrong data-start=\"1799\" data-end=\"1826\"\u003eA Year with Anne Brontë\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp dir=\"auto\" data-start=\"1827\" data-end=\"2162\"\u003eDiscover Anne through her poetry, art, diary papers, years of governess work, Acton Bell, \u003cem data-start=\"1917\" data-end=\"1929\"\u003eAgnes Grey\u003c\/em\u003e and \u003cem data-start=\"1934\" data-end=\"1963\"\u003eThe Tenant of Wildfell Hall\u003c\/em\u003e. Her journey places particular emphasis on \u003cstrong data-start=\"2007\" data-end=\"2123\"\u003ework, truth, education, money, marriage, property, belief and the practical conditions required for independence\u003c\/strong\u003e. \u003cspan class=\"contents\" data-content-reference-start=\"2095\" data-content-reference-end=\"2125\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2 data-section-id=\"1x3bflt\" dir=\"auto\" data-start=\"2164\" data-end=\"2219\"\u003e\u003cspan role=\"text\"\u003e\u003cstrong data-start=\"2167\" data-end=\"2219\"\u003eThree Sisters. Three Distinct Cultural Journeys.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp dir=\"auto\" data-start=\"2221\" data-end=\"2349\"\u003eTogether, the journals reveal both the shared world of the Brontë family and the striking differences between its three writers.\u003c\/p\u003e\n\u003cp dir=\"auto\" data-start=\"2351\" data-end=\"2404\"\u003eCharlotte examines how a narrator acquires authority.\u003c\/p\u003e\n\u003cp dir=\"auto\" data-start=\"2406\" data-end=\"2563\"\u003eEmily repeatedly tests boundaries between self and other, house and landscape, love and possession, speech and silence. \u003cspan class=\"contents\" data-content-reference-start=\"2489\" data-content-reference-end=\"2519\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\" data-start=\"2565\" data-end=\"2771\"\u003eAnne asks what happens when principles are tested through conduct — and when freedom depends not simply upon desire, but upon money, law, work and material possibility. \u003cspan class=\"contents\" data-content-reference-start=\"2690\" data-content-reference-end=\"2720\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\" data-start=\"2773\" data-end=\"3056\"\u003eRead together, the three experiences also open a much wider cultural landscape: Victorian education, women’s employment, publishing, pseudonyms, religion, class, property, marriage, domestic labour, industrial change, literary reputation and the creation of the Brontë legacy itself.\u003c\/p\u003e\n\u003ch2 data-section-id=\"5fm6f6\" dir=\"auto\" data-start=\"3058\" data-end=\"3101\"\u003e\u003cspan role=\"text\"\u003e\u003cstrong data-start=\"3061\" data-end=\"3101\"\u003eInside the Brontë Trilogy Experience\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\n\u003cul data-start=\"3103\" data-end=\"4013\"\u003e\n\u003cli data-section-id=\"15b9ikf\" data-start=\"3103\" data-end=\"3160\"\u003e\u003cstrong data-start=\"3105\" data-end=\"3160\"\u003e156 structured weekly cultural learning experiences\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli data-section-id=\"1popsi3\" data-start=\"3161\" data-end=\"3194\"\u003eThree complete 52-week journals\u003c\/li\u003e\n\u003cli data-section-id=\"eglwm8\" data-start=\"3195\" data-end=\"3244\"\u003eCharlotte, Emily and Anne explored individually\u003c\/li\u003e\n\u003cli data-section-id=\"1rtb9yo\" data-start=\"3245\" data-end=\"3293\"\u003eTwelve thematic sections across the collection\u003c\/li\u003e\n\u003cli data-section-id=\"1glonf8\" data-start=\"3294\" data-end=\"3335\"\u003eFull-page period-inspired illustrations\u003c\/li\u003e\n\u003cli data-section-id=\"10sqvm2\" data-start=\"3336\" data-end=\"3373\"\u003eWeekly Anchors and Featured Focuses\u003c\/li\u003e\n\u003cli data-section-id=\"1c3ohqi\" data-start=\"3374\" data-end=\"3438\"\u003ePrimary encounters with manuscripts, texts, places and objects\u003c\/li\u003e\n\u003cli data-section-id=\"a3fkaz\" data-start=\"3439\" data-end=\"3478\"\u003e\n\u003cem data-start=\"3441\" data-end=\"3452\"\u003eJane Eyre\u003c\/em\u003e, \u003cem data-start=\"3454\" data-end=\"3463\"\u003eShirley\u003c\/em\u003e and \u003cem data-start=\"3468\" data-end=\"3478\"\u003eVillette\u003c\/em\u003e\n\u003c\/li\u003e\n\u003cli data-section-id=\"ecn91p\" data-start=\"3479\" data-end=\"3500\"\u003e\u003cem data-start=\"3481\" data-end=\"3500\"\u003eWuthering Heights\u003c\/em\u003e\u003c\/li\u003e\n\u003cli data-section-id=\"1tchgos\" data-start=\"3501\" data-end=\"3549\"\u003e\n\u003cem data-start=\"3503\" data-end=\"3515\"\u003eAgnes Grey\u003c\/em\u003e and \u003cem data-start=\"3520\" data-end=\"3549\"\u003eThe Tenant of Wildfell Hall\u003c\/em\u003e\n\u003c\/li\u003e\n\u003cli data-section-id=\"d182f3\" data-start=\"3550\" data-end=\"3607\"\u003ePoetry, letters, diary papers and surviving manuscripts\u003c\/li\u003e\n\u003cli data-section-id=\"9x9o6l\" data-start=\"3608\" data-end=\"3647\"\u003eVictorian cultural and social history\u003c\/li\u003e\n\u003cli data-section-id=\"1cp03p0\" data-start=\"3648\" data-end=\"3681\"\u003ePublishing and literary history\u003c\/li\u003e\n\u003cli data-section-id=\"q1029v\" data-start=\"3682\" data-end=\"3728\"\u003eSubstantial contextual and reflective essays\u003c\/li\u003e\n\u003cli data-section-id=\"uklwwx\" data-start=\"3729\" data-end=\"3775\"\u003eGuided observation and close-reading prompts\u003c\/li\u003e\n\u003cli data-section-id=\"13qkfhu\" data-start=\"3776\" data-end=\"3798\"\u003eReflection questions\u003c\/li\u003e\n\u003cli data-section-id=\"iarpg4\" data-start=\"3799\" data-end=\"3839\"\u003eDedicated fillable Journal Notes pages\u003c\/li\u003e\n\u003cli data-section-id=\"16b1jbt\" data-start=\"3840\" data-end=\"3891\"\u003eLinked Contents and Return to Contents navigation\u003c\/li\u003e\n\u003cli data-section-id=\"pdnixu\" data-start=\"3892\" data-end=\"3938\"\u003eWeek-grouped source notes and bibliographies\u003c\/li\u003e\n\u003cli data-section-id=\"hit4vo\" data-start=\"3939\" data-end=\"3986\"\u003eThree fully navigable digital PDF experiences\u003c\/li\u003e\n\u003cli data-section-id=\"156fxp9\" data-start=\"3987\" data-end=\"4013\"\u003eInstant digital download\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp dir=\"auto\" data-start=\"4015\" data-end=\"4309\"\u003eThe trilogy is designed to be explored in any order. Follow one sister for a complete year before beginning the next, move between the three to compare their different responses to shared circumstances, or make the collection a \u003cstrong data-start=\"4243\" data-end=\"4308\"\u003ethree-year cultural learning journey through the Brontë world\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp dir=\"auto\" data-start=\"4311\" data-end=\"4609\"\u003e\u003cstrong data-start=\"4311\" data-end=\"4609\"\u003eThe Brontë Sisters Trilogy is not simply 156 weeks about three famous writers. It is an extended cultural apprenticeship in reading lives, literature and evidence more carefully — discovering three sisters who shared a household but created profoundly different ways of understanding the world.\u003c\/strong\u003e\u003c\/p\u003e","brand":"Conspire Creations LTD","offers":[{"title":"Default Title","offer_id":55195723268433,"sku":"CCPC235-BND-MIX-BRO-SIST-2026-v1","price":69.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1026\/0201\/5057\/files\/TheBronteSistersTrilogy.png?v=1791292519"},{"product_id":"a-year-with-charles-dickens-a-52-week-cultural-learning-journey-through-literature-society-story","title":"A Year with Charles Dickens: A 52-Week Cultural Learning Journey Through Literature, Society \u0026 Story","description":"\u003cp dir=\"auto\" data-start=\"359\" data-end=\"463\" class=\"PDq2pG_selectionAnchorContainer\"\u003e\u003cstrong data-start=\"359\" data-end=\"463\"\u003eA Year with Charles Dickens: A 52-Week Cultural Learning Journey Through Literature, Society \u0026amp; Story\u003c\/strong\u003e\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2 dir=\"auto\" data-start=\"465\" data-end=\"491\" data-section-id=\"1nenz2g\"\u003e\u003cspan role=\"text\"\u003e\u003cstrong data-start=\"468\" data-end=\"491\"\u003eProduct Description\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp dir=\"auto\" data-start=\"493\" data-end=\"689\"\u003eSpend a year exploring Charles Dickens through 52 carefully structured encounters with literature, Victorian culture, social institutions, cities, objects, journalism, performance and public life.\u003c\/p\u003e\n\u003cp dir=\"auto\" data-start=\"691\" data-end=\"1057\"\u003eFrom childhood in Chatham, the blacking warehouse and parliamentary reporting to \u003cem data-start=\"772\" data-end=\"786\"\u003eOliver Twist\u003c\/em\u003e, \u003cem data-start=\"788\" data-end=\"807\"\u003eA Christmas Carol\u003c\/em\u003e, \u003cem data-start=\"809\" data-end=\"822\"\u003eBleak House\u003c\/em\u003e, \u003cem data-start=\"824\" data-end=\"844\"\u003eGreat Expectations\u003c\/em\u003e and the unfinished \u003cem data-start=\"864\" data-end=\"892\"\u003eThe Mystery of Edwin Drood\u003c\/em\u003e, this cultural learning experience follows Dickens as both writer and observer of a rapidly changing nineteenth-century world. \u003cspan class=\"contents\" data-content-reference-start=\"1012\" data-content-reference-end=\"1042\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\" data-start=\"1059\" data-end=\"1272\"\u003eRather than treating the novels as isolated classics, the journal places them alongside the streets, prisons, workhouses, railways, courts, newspapers, theatres and social arguments that surrounded their creation.\u003c\/p\u003e\n\u003cp dir=\"auto\" data-start=\"1274\" data-end=\"1355\"\u003eAcross 52 weekly experiences, the journey unfolds through four distinct sections:\u003c\/p\u003e\n\u003ch3 dir=\"auto\" data-start=\"1357\" data-end=\"1414\" data-section-id=\"1m4szfv\"\u003e\u003cspan role=\"text\"\u003e\u003cstrong data-start=\"1361\" data-end=\"1414\"\u003eSection I — Learning to Read and Perform the City\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp dir=\"auto\" data-start=\"1415\" data-end=\"1848\"\u003eExplore Chatham, the blacking warehouse, the Marshalsea, shorthand, parliamentary reporting, Doctors’ Commons, \u003cem data-start=\"1526\" data-end=\"1543\"\u003eSketches by Boz\u003c\/em\u003e, \u003cem data-start=\"1545\" data-end=\"1566\"\u003eThe Pickwick Papers\u003c\/em\u003e, Doughty Street, \u003cem data-start=\"1584\" data-end=\"1598\"\u003eOliver Twist\u003c\/em\u003e and \u003cem data-start=\"1603\" data-end=\"1622\"\u003eNicholas Nickleby\u003c\/em\u003e. Discover how observation, work, journalism, institutions and performance helped Dickens develop the techniques through which he would make the modern city legible to millions of readers. \u003cspan class=\"contents\" data-content-reference-start=\"1796\" data-content-reference-end=\"1826\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3 dir=\"auto\" data-start=\"1850\" data-end=\"1904\" data-section-id=\"10zrne3\"\u003e\u003cspan role=\"text\"\u003e\u003cstrong data-start=\"1854\" data-end=\"1904\"\u003eSection II — Fame Tests the Social Imagination\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp dir=\"auto\" data-start=\"1905\" data-end=\"2278\"\u003eFollow Dickens through \u003cem data-start=\"1928\" data-end=\"1952\"\u003eThe Old Curiosity Shop\u003c\/em\u003e, \u003cem data-start=\"1954\" data-end=\"1969\"\u003eBarnaby Rudge\u003c\/em\u003e, America, slavery, \u003cem data-start=\"1989\" data-end=\"2008\"\u003eMartin Chuzzlewit\u003c\/em\u003e, \u003cem data-start=\"2010\" data-end=\"2029\"\u003eA Christmas Carol\u003c\/em\u003e, \u003cem data-start=\"2031\" data-end=\"2043\"\u003eThe Chimes\u003c\/em\u003e, Italy, \u003cem data-start=\"2052\" data-end=\"2068\"\u003eDombey and Son\u003c\/em\u003e, Urania Cottage and \u003cem data-start=\"2089\" data-end=\"2108\"\u003eDavid Copperfield\u003c\/em\u003e. As his fame expands, the journal examines both the extraordinary reach of his social imagination and the contradictions within it. \u003cspan class=\"contents\" data-content-reference-start=\"2219\" data-content-reference-end=\"2249\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3 dir=\"auto\" data-start=\"2280\" data-end=\"2333\" data-section-id=\"1cfm08\"\u003e\u003cspan role=\"text\"\u003e\u003cstrong data-start=\"2284\" data-end=\"2333\"\u003eSection III — The Machinery of Respectability\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp dir=\"auto\" data-start=\"2334\" data-end=\"2712\"\u003eEnter the mature Dickensian world through \u003cem data-start=\"2376\" data-end=\"2393\"\u003eHousehold Words\u003c\/em\u003e, \u003cem data-start=\"2395\" data-end=\"2408\"\u003eBleak House\u003c\/em\u003e, \u003cem data-start=\"2410\" data-end=\"2422\"\u003eHard Times\u003c\/em\u003e, \u003cem data-start=\"2424\" data-end=\"2439\"\u003eLittle Dorrit\u003c\/em\u003e, public readings and \u003cem data-start=\"2461\" data-end=\"2483\"\u003eA Tale of Two Cities\u003c\/em\u003e. Law, bureaucracy, industry, finance, education, race, family and respectability become interconnected systems whose effects can be traced through bodies, rooms, money and everyday routines. \u003cspan class=\"contents\" data-content-reference-start=\"2646\" data-content-reference-end=\"2677\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3 dir=\"auto\" data-start=\"2714\" data-end=\"2784\" data-section-id=\"doda94\"\u003e\u003cspan role=\"text\"\u003e\u003cstrong data-start=\"2718\" data-end=\"2784\"\u003eSection IV — Writing, Performing \u0026amp; Leaving the Work Unfinished\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp dir=\"auto\" data-start=\"2785\" data-end=\"3242\"\u003eExplore \u003cem data-start=\"2793\" data-end=\"2813\"\u003eAll the Year Round\u003c\/em\u003e, \u003cem data-start=\"2815\" data-end=\"2835\"\u003eGreat Expectations\u003c\/em\u003e, night walking, Gad’s Hill, \u003cem data-start=\"2864\" data-end=\"2883\"\u003eOur Mutual Friend\u003c\/em\u003e, Dickens’s correspondence with Eliza Davis, the Staplehurst railway accident, the American reading tours, \u003cem data-start=\"2990\" data-end=\"3007\"\u003eSikes and Nancy\u003c\/em\u003e and the unfinished \u003cem data-start=\"3027\" data-end=\"3055\"\u003eThe Mystery of Edwin Drood\u003c\/em\u003e. The final weeks examine what happens when authorship becomes public performance — and what readers inherit when the final story remains incomplete. \u003cspan class=\"contents\" data-content-reference-start=\"3170\" data-content-reference-end=\"3202\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\" data-start=\"3244\" data-end=\"3483\"\u003eEach week begins with a \u003cstrong data-start=\"3268\" data-end=\"3285\"\u003eWeekly Anchor\u003c\/strong\u003e, \u003cstrong data-start=\"3287\" data-end=\"3305\"\u003eFeatured Focus\u003c\/strong\u003e and \u003cstrong data-start=\"3310\" data-end=\"3331\"\u003ePrimary Encounter\u003c\/strong\u003e, followed by a substantial contextual and reflective essay, guided attention prompts, reflection questions and a dedicated fillable Journal Notes page.\u003c\/p\u003e\n\u003cp dir=\"auto\" data-start=\"3485\" data-end=\"3794\"\u003eThe experience deliberately separates documentary evidence, fiction, memoir and later interpretation, while confronting difficult subjects including poverty, slavery, race, antisemitism, empire, gender and political violence within their historical and literary contexts. \u003cspan class=\"contents\" data-content-reference-start=\"3717\" data-content-reference-end=\"3747\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2 dir=\"auto\" data-start=\"3796\" data-end=\"3824\" data-section-id=\"1yvw50e\"\u003e\u003cspan role=\"text\"\u003e\u003cstrong data-start=\"3799\" data-end=\"3824\"\u003eInside the experience\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\n\u003cul data-start=\"3826\" data-end=\"4520\"\u003e\n\u003cli data-start=\"3826\" data-end=\"3878\" data-section-id=\"1isyl8q\"\u003e52 structured weekly cultural learning experiences\u003c\/li\u003e\n\u003cli data-start=\"3879\" data-end=\"3903\" data-section-id=\"467jbr\"\u003eFour thematic sections\u003c\/li\u003e\n\u003cli data-start=\"3904\" data-end=\"3945\" data-section-id=\"1glonf8\"\u003eFull-page period-inspired illustrations\u003c\/li\u003e\n\u003cli data-start=\"3946\" data-end=\"3983\" data-section-id=\"10sqvm2\"\u003eWeekly Anchors and Featured Focuses\u003c\/li\u003e\n\u003cli data-start=\"3984\" data-end=\"4049\" data-section-id=\"7iw1u8\"\u003ePrimary encounters with texts, objects, buildings and documents\u003c\/li\u003e\n\u003cli data-start=\"4050\" data-end=\"4090\" data-section-id=\"ggomn3\"\u003eMajor Dickens novels and shorter works\u003c\/li\u003e\n\u003cli data-start=\"4091\" data-end=\"4128\" data-section-id=\"1i55k75\"\u003eVictorian London and social history\u003c\/li\u003e\n\u003cli data-start=\"4129\" data-end=\"4185\" data-section-id=\"ikihrm\"\u003eWorkhouses, prisons, courts, railways and institutions\u003c\/li\u003e\n\u003cli data-start=\"4186\" data-end=\"4229\" data-section-id=\"ejkiuk\"\u003eJournalism, publishing and serial culture\u003c\/li\u003e\n\u003cli data-start=\"4230\" data-end=\"4276\" data-section-id=\"q1029v\"\u003eSubstantial contextual and reflective essays\u003c\/li\u003e\n\u003cli data-start=\"4277\" data-end=\"4323\" data-section-id=\"uklwwx\"\u003eGuided observation and close-reading prompts\u003c\/li\u003e\n\u003cli data-start=\"4324\" data-end=\"4346\" data-section-id=\"13qkfhu\"\u003eReflection questions\u003c\/li\u003e\n\u003cli data-start=\"4347\" data-end=\"4387\" data-section-id=\"iarpg4\"\u003eDedicated fillable Journal Notes pages\u003c\/li\u003e\n\u003cli data-start=\"4388\" data-end=\"4439\" data-section-id=\"16b1jbt\"\u003eLinked Contents and Return to Contents navigation\u003c\/li\u003e\n\u003cli data-start=\"4440\" data-end=\"4467\" data-section-id=\"1ulzxg9\"\u003eWeek-grouped source notes\u003c\/li\u003e\n\u003cli data-start=\"4468\" data-end=\"4491\" data-section-id=\"1axn7sn\"\u003eComplete bibliography\u003c\/li\u003e\n\u003cli data-start=\"4492\" data-end=\"4520\" data-section-id=\"fqu0bc\"\u003eInstant digital PDF format\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp dir=\"auto\" data-start=\"4522\" data-end=\"4773\"\u003eA year-long invitation to encounter Dickens not simply as the creator of memorable characters, but as a writer who turned streets, institutions, money, voices and social conflict into one of literature’s most powerful ways of seeing Victorian society.\u003c\/p\u003e","brand":"Conspire Creations® - Created to Conspire®","offers":[{"title":"Default Title","offer_id":55217289363793,"sku":"CCPC622-CAL-MUS-CHA-DICE-SPEC-2026-v2","price":29.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1026\/0201\/5057\/files\/FrontCover_b5b5f147-faa5-4bef-a1e7-5e4e287d7dec.png?v=1791399208"}],"url":"https:\/\/conspire-creations.com\/collections\/homepage-new-releases-spotlight.oembed","provider":"Conspire Creations® - Created to Conspire®","version":"1.0","type":"link"}